From the dream-like imagery of Kline's Eden to the confrontational activism of Jurišić's Ballet of Revolt and the corporeal amplifier of Kejžar's Rave, the Pekinpah productions have regularly been described as radical. Whatever our artists' concepts, aesthetics or politics, however, we always do everything in our power to ensure that the end results are outstanding.
A ritual of a body cleansed of all its semiotic qualities, White reflects on and celebrates body's ability see through things and see things through - independent of verbalisation.
V prvo Pekinpahovi uprizoritveni razstav, smo z združevanjem formatov sodobnih uprizoritvenih praks, razpirali večperspektivični pogled. Predstavljene so bile uprizoritvene, vizualne, glasbene in oblikovalske aktivnosti Pekinpahovih umetnikov in oblikovalcev, ki skozi različne žanre in prostorsko-časovno kontekste preslikavajo smernice nastalega, sedanjega in prihajajočega.
The first part of Kejžar's new trilogy, inspired by Tommasso Campanella's utopia the City of the Sun, as well as the electronic music and dance culture, Club 1 2 premiered at the June 2016 Spider festival in Ljubljana, Slovenia.
Revealing the connections between female sexuality and patriotism, Leja Jurišić and Teja Reba occupy a bed in order to interrogate the lives of dead and immoratal male figures. Ideal premiered at the 2015 Spider Festival in Ljubljana.
Slovenia is a world superpower, subjugating populations throughout the world. Jurišić depicts a bunch of Slovenian females whose fresh imperial subjectivity has been evolving either perfectly or disastrously. In short, the War on Terror à la Slovénie.
This is a dance perfromance in which Rozman builds an eco-futurist world parallel to today's natural reality. Rozman envisions human beings existing side by side with unusual creatures born out of future landscapes.
An ongoing striving by five remarkable performers to give birth to something new, Genesis is a collective effort to weave a new world from our common dreams. Genesis premiered at the 2015 Ganz Novi Festival in Zagreb.
Performed by Fernando Belfiore and Peter de Vuyst, True Romance is Kejžar's exploration of body rituals praising life and love through what might be understood as the type of raw masculine energy that is not afraid of emotions and humour.
A day-long performance of an interactive nature, Dreamhostel invites members of the public for a sleepover at a peculiar hostel where they learn to dream a collective dream.
Rave is a dancer-vocalist duet, through which Matej Kejžar, a dancer and choreographer, and Niño de Elche, a vocal artist and flamenco singer, explore verbalization in connection with movement and try to discover how they merge together in singing.
With the king absent, the audience becomes a sovereign in this peculiar feminist take on the Shakespeare classic text. Premiered at Cankarjev Dom in Ljubljana, King Lear by Jurišić and Rusjan is as contemporary as it is archetypal.
Seductive iconoclasts, Leja Jurišić and Teja Reba dissolve the private-public boundary, presenting the audience with secretion as a desirable tool for testing morality and freedom of expression.
Matej Kejžar (dance) and Marjan Stanić (drums) deconstruct music and dance patterns in order to establish a dynamic and creative tranquillity. They sow noise in order to reap silence
A place where Kline heals with a razorblade, Eden is a humorous search for heaven, not beyond this world but rather here and now. Eden was performed at Prague's 4+4 Days Festival, Barcelona's Mercat de les Flors, Novi Sad's Infant Festival, etc.
Dancing across a banknote map of Europe strewn across the stage, Jurišić praises and ridicules the possibility of revolt in the contemporary West. Ballet of Revolt premiered to a critical acclaim at the Tanzquartier Wien in Austria.
Six acclaimed performing artists investigate the reasons for creating their body-based work. They try to find out why we still need art, affirming art's place in the world as they move along and form an ad hoc collective.
Premiered at Tanzquartier in Vienna and staged in Prague, London and New York, Sofa is a site-specific and context-specific durational performance on the social role of laughter. It features Leja Jurišić and Teja Reba as the Almighty Laughing Weapon.