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Bliss

March 6, 2016 Žiga Predan

Six acclaimed performing artists investigate the reasons for creating their body-based work.  They try to find out why we still need art, affirming art's place in the world as they move along and form an ad hoc collective.

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In Productions, Dance Tags Mala Kline, 2010

Sofa

March 4, 2016 Žiga Predan

Premiered at Tanzquartier in Vienna and staged in Prague, London and New York, Sofa is a site-specific and context-specific durational performance on the social role of laughter. It features Leja Jurišić and Teja Reba as the Almighty Laughing Weapon.

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In Dance, Productions Tags Leja Jurišić, Teja Reba, 2010

SPIDER festival 2016

December 28, 2015 Žiga Predan

The fifth (over)bold performative arts festival
2. & 3. 6. 2016
Španski borci Culture Centre and Secret Location, Ljubljana

 

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In Dance, Spider Festivals, Productions Tags 2016, Ljubljana, Matej Kejžar

SPIDER slang 2015

October 28, 2015 Žiga Predan

The (over)bold performative arts festival
13. & 14. 6. 2015
Stara mestna elektrarna - Elektro Ljubljana

 

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In Dance, Spider Festivals, Productions Tags 2015, Ljubljana, Matej Kejžar

SPIDER EXPAND! 2013

August 28, 2014 Žiga Predan

Festival of contemporary dance & performance art
September 27th & 28th 2013
Španski Borci Culture Centre, Ljubljana

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In Dance, Productions, Spider Festivals Tags 2013, Matej Kejžar, Ljubljana
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News

Featured
Jan 21, 2026
VULNERI
Jan 21, 2026

By restricting the performers to a confined area, freedom ceases to be a concept and becomes a physical weight. Here, the boundaries of one’s autonomy are no longer theoretical, they are felt. While history often defaults to violence, conquest, or control when space is tight, the dancers in Vulneri propose an alternative: a choreography of coexistence rooted in collective awareness and mutual reliance.

Jan 21, 2026
Nov 28, 2025
PASOLINI'S STONES
Nov 28, 2025

Lecture on the fiftieth anniversary of Pasolini's death by Miklavž Komelj.

Nov 28, 2025
Oct 9, 2025
dance in stone
Oct 9, 2025

The puppet show Dance In Stone primarily opens up the question of how modern human society can so often shape an individual who hates themselves, who is their own greatest rival, their own most despised other. The stones, which in the show function as both puppets and scenography, symbolise the radical other—that which seems uncontrollable or unacceptable, both within ourselves and in society.

Oct 9, 2025