Scenography workshop with Atej Tutta, 8 - 30 March 2022
The investment is co-financed by the Republic of Slovenia and the European Union under the European Social Fund.
The investment is co-financed by the Republic of Slovenia and the European Union under the European Social Fund.
Projekt Kreativna telesa v gibanju sofinancirata Ministrstvo za kulturo Republike Slovenije ter Evropska unija iz Evropskega socialnega sklada.
Call for participants
The Pekinpah Association is announcing a new cycle of workshops, taking place in 2022 as part of the project Creative Bodies in Movement, aimed at the cultural and social integration of immigrants. We are starting the Scenography workshop on 8 March: we entrusted the mentorship of the 40-hour program, which will take place at the Cene Štupar Institute in Ljubljana, to the versatile artist, scenographer, filmmaker and curator Atej Tutta. The educational program is free for immigrants, and in addition to the symbolic registration fee, it is also intended for Slovenian youth and other professionals in the field to join.
With the Creative Bodies in Movement, we want to enable participants to acquire and deepen cultural, functional and work competencies, thus facilitating their integration into society, thus strengthening intercultural and intergenerational dialogue. A workshop program in the field of costume design is currently coming to an end, which was also introduced by the project under the mentorship of Barbara Stupica.
With a series of workshops, we want to empower participants to work independently in various fields of performing arts. Workshops cover fields of costume design, scenography, performance and theatre music.
Scenography as home and its negation
Under this title, the versatile artist and set designer Atej Tutta will carry out the workshop program in the field of scenography.
In order to make it easier to understand the work and function of the set designer, Tutta set the concept of the workshop to stem from a reflection on the relationship to our most intimate space - home. The practical part of the workshop is based on research and reflection on the human attitude to home: participants will explore the modern experience by comparing it with the concept of home in ancient times, more precisely with the five basic elements of a Roman house.
As Tutta says, contemporary scenography is as complex and bold as modern life. Certainly, thinking about scenography also means thinking about text, directing, acting, theatre in general. As a mentor, Tutta will focus mainly on stage representation, where the scenography performs a specific function. The participants will focus on the challenges of representation in the context of contemporary theatre and explore the creative possibilities of scenography on practical examples, trying to find answers to eternal questions: what is theatre and what are its specific elements?
The workshop is followed by individual counselling, at the end of which participants will receive a certificate.
The 40-hour workshop program will be taking place from 8 to 30 March 2022 at the Cene Štupar Institute at Ulica Ambrožiča Novljana 5 in Ljubljana (every Tuesday, Wednesday and Thursday, from 12 to 4 pm).
The investment is co-financed by the republic of Slovenia and the European Union under the European Social Fund.
About the mentor
ATEJ TUTTA (1981) is a renowned artist and filmmaker living and working in Venice. He received his master's degree from the Accademia di Belle Arti di Venezia (Venice), where he taught as an associate professor between 2009 and 2014. He co-created numerous plays with director Eduard Miller, including Salome and Pohujšanje. With the choreographer Jeroen Verbruggen, he created the ballet Orphic Anthem (Orfična himna), he also designed the scenography and video for the jubilee Ballet 100 (triptych). He collaborated with director Vinko Möderndorfer on the play Whale on the Beach and the opera Unicorn. In the field of performing arts, he and artist Bara Kolenc took part in the 53rd Theatertreffen in Berlin with their work Metamorphosis 3 °: Rhetoric.
In the field of visual arts, he exhibited in Venice: Qui e (non) altrove (Maximilian's Tower) and Ljubljana: Rhetoric - The Moment After (Galerija Vžigalnica). He also works as a curator and designer in exhibition projects such as Elaborare il lutto - Arte orfana della specie, For(w)art, Prof. Rodchenko and Photos from Vchutemas (Venice). He participated in the international interdisciplinary projects Divided God and arTVision and he co-founded the Threshold collective.
Additional info & applications:
kreativnatelesa@pekinpah.com
pekinpah.com/news/kreativnatelesa
facebook.com/groups/kreativnatelesa
Usposabljanje na področju scenografije
Poziv za udeležence
V društvu Pekinpah najavljamo nov cikel izobraževalnih delavnic, ki v letu 2022 potekajo v sklopu projekta Kreativna telesa v gibanju, namenjenega kulturni in socialni integraciji priseljencev. 8. marca se tako prične usposabljanje s področja scenografije: mentorstvo 40-urnega programa, ki bo potekal v prostorih Zavoda Cene Štupar v Ljubljani, smo zaupali vsestranskemu umetniku, scenografu, filmskemu ustvarjalcu in kuratorju Ateju Tutti. Izobraževalni program je za priseljence brezplačen, ob simbolični kotizaciji pa je sicer namenjen tudi mladim in drugim profesionalcem s področja, ki jih s tem pozivom vabimo k prijavi na delavnice.
S projektom Kreativna telesa v gibanju udeležencem omogočamo pridobivanje in poglabljanje kulturnih, funkcionalnih ter delovnih kompetenc in tako lajšamo njihovo integracijo v družbo, s čimer krepimo medkulturni in medgeneracijski dialog. Trenutno se izteka delavniški program s področja kostumografije, ki je pod mentorstvom Barbare Stupica tudi uvedel projekt.
Z nizom delavnic želimo udeležence opolnomočiti za samostojno delovanje na različnih področjih scenskih umetnosti. Usposabljanja potekajo na področjih kostumografije, scenografije, performativnosti in gledališke glasbe.
Operacijo Kreativna telesa v gibanju sofinancirata Republika Slovenija in Evropska unija iz Evropskega socialnega sklada.
Scenografija kot dom in njena negacija
Pod zgornjim naslovom bo potekala usposabljanje na področju scenografije, ki jo izvaja vsestranski umetnik in scenograf Atej Tutta. V želji po lažjem razumevanju dela in funkcije scenografa je Tutta zastavil koncept delavnice, ki izhaja iz razmisleka o odnosu do našega najbolj intimnega prostora – domovanja. V praktičnem delu temelji delavnica predvsem na raziskavi in premisleku o človekovem odnosu do domovanja: udeleženci bodo sodobno izkušnjo le-tega raziskali s primerjavo s konceptom domovanja v času antike, natančneje s petimi osnovnimi elementi rimske hiše.
Kot pravi Tutta, je sodobna scenografija kompleksna in drzna kot sodobno življenje. Zagotovo je razmislek o scenografiji hkrati tudi razmislek o tekstu, režiji, igri, o gledališču nasploh. Tutta se bo kot mentor osredotočil predvsem na razmislek o odrski reprezentaciji, kjer scenografija nastopa v točno določeni funkciji. Udeleženci delavnice se bodo osredotočili na izzive reprezentacije v kontekstu sodobnega gledališča in na praktičnih primerih raziskali kreativne možnosti scenografije, pri čemer bodo skušali poiskati odgovore na večna vprašanja: kaj je gledališče in kaj so njegove specifične prvine?
Izobraževanju sledi tudi individualno svetovanje, na koncu bodo udeleženci pridobili potrdilo o usposabljanju/certifikat.
40-urno usposabljanje bo potekalo med 8. in 30. marcem 2022 v prostorih Zavoda Cene Štupar na naslovu Ulica Ambrožiča Novljana 5 v Ljubljani (vsak torek, sredo in četrtek, med 12. in 16. uro). Prijave obvezno; število mest je omejeno.
O mentorju
ATEJ TUTTA (1981) je priznan umetnik in filmski ustvarjalec, ki živi in deluje v Benetkah. Magistriral je na Akademiji lepih umetnosti v Benetkah (Accademia di Belle Arti di Venezia), kjer je med letoma 2009 in 2014 poučeval kot izredni profesor. Z režiserjem Eduardom Milerjem je soustvaril številne predstave, med njimi Salome in Pohujšanje. S koreografom Jeroenom Verbruggenom je nastal balet Orfična himna, oblikoval je tudi scenografijo in video za jubilejni Balet 100 (triptih). Z režiserjem Vinkom Möderndorferjem je sodeloval pri predstavi Kit na plaži in operi Samorog. Na področju uprizoritvenih umetnosti sta se z umetnico Baro Kolenc z delom Metamorfoze 3°: Retorika uvrstila na 53. Theatertreffen v Berlinu.
Na področju vizualnih umetnosti je razstavljal v Benetkah: Qui e (non) altrove (Maksimiljanov stolp) in Ljubljani: Retorika – The Moment After (Galerija Vžigalica). Deluje tudi kot kustos in oblikovalec v razstavnih projektih, kot so bili Elaborare il lutto – Arte orfana della specie, For(w)art, Prof. Rodčenko in Fotografije iz Vchutemasa (Benetke). Sodeloval je pri mednarodnih meddisciplinarnih projektih Razdvojeni Bog – Divided God, arTVision in soustanovil kolektiv Threshold.
Dodatne informacije & prijave:
kreativnatelesa@pekinpah.com
pekinpah.com/news/kreativnatelesa
facebook.com/groups/kreativnatelesa
