Confining subjects to such a small area makes freedom a concrete reality rather than an abstract idea. The limits of one person's liberty become physically and immediately clear. History shows us that options like terror, domination, and the seizure of space are always possible. However, the dancers in Vulneri demonstrate a different, more constructive path: one built on mutual awareness and support.

The puppet show Dance In Stone primarily opens up the question of how modern human society can so often shape an individual who hates themselves, who is their own greatest rival, their own most despised other. The stones, which in the show function as both puppets and scenography, symbolise the radical other—that which seems uncontrollable or unacceptable, both within ourselves and in society.

The dancers’ bodies—elegant yet volatile—collide, pausing only to dissolve into motion once more. With precision, they step into one another’s space, oscillating between tenderness and rupture. What appears contingent reveals itself as meticulously orchestrated; even their breath syncs, but only fleetingly—a glimpse of unity before the rhythm fractures again.

Tatiana Kocmur will once again explore the topic of sexual violence in a provocative environment with her new project Meso⏐Flesh. Unlike The Following Body, which focused on the sheer brutality of trauma, Meso⏐Flesh focuses on the story of rekindling love after the traumatic encounter with sexual violence, presenting the audience with a story of regrowth through pain.

In early 2022, the artist Tatiana Kocmur began to dedicate herself to exploring the historical and current problems of physical and sexual violence, as well as the conceptions and language (or non-language) of pain, through an artistic perspective. The Following Body is the first visual articulation of this research.

The project by Anamaria Klajnšček with Elvis Homan, Krystina Peldová, Boštjan Simon & Gabriela Lotaif marks the first collaboration between emerging artist Anamaria Klajnšček and Pekinpah. Movements trigger sounds that constantly drives new motions, all reflecting cognitive processes. An interlace of four individual entities, fighting for attention, diving into a whirl of shared thoughts with a single motive: to keep going on.

A hybrid improvised music concert and dance performance by Beno Novak, Boštjan Simon, and Elvis Homan, awarded as the best performance of the 12th Biennial of Slovenian Contemporary Dance Art Gibanica 2023.

9 pieces, 9 movements. A ‘favourite album’ as a choreographic frame. Premiered at Španski Borci, Ljubljana, Matej Kejžar’s Movements 9 find its inspiration in Floating Points’ album Promises. From a ‘favourite album’ a new dance piece arises, a new dynamic territory.