Join us on Wednesday, November 6 at Studio Pekinpah in Ljubljana for the presentation of Djuna Barnes' Antiphon, now available in Slovene. The event will feature a blend of spatial installation, live performance, and reading, with a focus on engaging the translator in dialogue. A unique opportunity to experience one of the most enigmatic works of 20th-century drama.

Tatiana Kocmur will once again explore the topic of sexual violence in a provocative environment with her new project Meso⏐Flesh. Unlike The Following Body, which focused on the sheer brutality of trauma, Meso⏐Flesh focuses on the story of rekindling love after the traumatic encounter with sexual violence, presenting the audience with a story of regrowth through pain.

Welcome to Spider Festival 2023, a Dance study of the digital space as a field of resistance to the hegemonic contemporary choreography interfaces. We invite you to tilt in and out and encounter empty frames filled with organic materials. Welcome to the place of opacity, inhalation, and reflection. Bring all the data and expectations, and let all thought be metabolized by idiosyncratic dancers who feel their way through the world imaginatively and artfully.

This is a story about oscillations between certainty and indeterminacy. Rejecting the traditional relationship between Dance and Choreography means attentively following the myth of Aphrodite’s birth. Born from foam, Aphrodite evokes images of irregular rhythmic patterns, the spectacle of movement over movement, and the voyage from one pattern to another. Will the cut between one and the other always mean the end of repetition, a kind of end of reproduction? How will we handle this change? Will we?

This is a story about oscillations between certainty and indeterminacy. Rejecting the traditional relationship between Dance and Choreography means attentively following the myth of Aphrodite’s birth. Born from foam, Aphrodite evokes images of irregular rhythmic patterns, the spectacle of movement over movement, and the voyage from one pattern to another. Will the cut between one and the other always mean the end of repetition, a kind of end of reproduction? How will we handle this change? Will we?

Notes to Antiphon by Petra Veber and Leja Jurišić is the conclusion of the first phase of reading The Antiphon, the great work by Djuna Barnes, as well as an announcement of the Slovenian translation by Miklavž Komelj, which will be published by cf.

Anamaria Klajnšček and her team blend music and dance to explore the potential of a ceaseless collective flow of thoughts. Movements trigger sounds that constantly drives new motions, all reflecting cognitive processes. An interlace of four individual entities, fighting for attention, diving into a whirl of shared thoughts with a single motive: to keep going on.

V Muzeju za arhitekturo in oblikovanje (MAO) smo 15. junija 2023 odprli prvo pregledno razstavo arhitektke in oblikovalke Janje Lap (1929–2004).

The dance piece 303 draws its title from the analogue synthesizer Roland TB-303 which was highly popular in the past decades but was later replaced with digital machines. Inspired by the intense digitalization of our lives during the pandemic, the project focuses on the relationship between our time's analogue and digital realities.

Welcome to Spider Festival 2023, a Dance study of the digital space as a field of resistance to the hegemonic contemporary choreography interfaces. We invite you to tilt in and out and encounter empty frames filled with organic materials. Welcome to the place of opacity, inhalation, and reflection. Bring all the data and expectations, and let all thought be metabolized by idiosyncratic dancers who feel their way through the world imaginatively and artfully.

Over 60 migrants from 31 countries got engaged in our educational programs in costume design, scenography, dance and music. Over 15 of them engaged in onstage performance called Creative Bodies, Movements and Live - Vulnerable Performance, the artistic expression around the topic of vulnerability, crossroads and inclusion.

Filip Štepec in Jernej Potočan nagovarjata čas, v katerem Google brskalnik najbolje pozna naš notranji svet. Za izhodišče vzemata nereflektirano vskadanjost, beg med štiri stene, skrite fantazije, ki pa se paradoksalno zrcalijo v naših brskalnikih.

Second part of Dance and Performance program will be taking place from 6 to 28 February under the mentorship of renowned dancer and choreographer Matej Kejžar. The workshop will be permeated by the mentor's otherwise creative agenda, which focuses on the deconstruction and re-construction of the technical structure, social and emotional range of dance.

The final set of educational programs within Creative Bodies in Movement, the preparatory workshops and engagement in a stage performance production, will be taking place from 13 to 28 February. The workshops are organised as individual counselling by renowned artists and mentors to help participants prepare and give public presentation of the project.

Ljudje posegamo v gozd, a je tudi moč gozda, da oblikuje ljudi, neizogibna. V gozd si gremo celit rane, v gozdu rane nastanejo, tišina gozda ni nenasilna, glasnost sveta prav tako ne. Z Rdečim gozdom Leje Jurišić se sooči pet plesalk in plesalcev, koreografinj in koreografov. Nastaja omnibus soočanj z gozdom in rdečo.

V začetku leta 2022 se je umetnica Tatiana Kocmur skozi umetniško perspektivo pričela posvečati raziskovanju zgodovinskih in aktualnih problemov telesnega in spolnega nasilja ter koncepcij in jezika (ali pač ne-jezika) o bolečini. The Following Body je prva vizualna artikulacija tega raziskovanja.

Fourth educational program within Creative Bodies in Movement, mentored by Elvis Homan, will be taking place from 7 to 18 November, and is dedicated to creating (film) music. Participation of both beginners and those with some music knowledge and experience is welcome.

Zaključek razstave Produkcijske platforme BIO27, med 23. in 25. septembrom v MAO, bo obeležen z naborom dogodkov in aktivnosti, ki predstavljajo njeno delovanje v sklopu 27. izdaje bienala oblikovanja. Dnevi produkcijske platforme BIO27 bodo raziskovali tudi odnos do trajnostnega oblikovanja in trajnosti na splošno pri mlajši generaciji slovenskih oblikovalcev in ustvarjalcev.