Vulneri
Confining subjects to such a small area makes freedom a concrete reality rather than an abstract idea. The limits of one person's liberty become physically and immediately clear. History shows us that options like terror, domination, and the seizure of space are always possible. However, the dancers in Vulneri demonstrate a different, more constructive path: one built on mutual awareness and support.
Read moreDance in Stone
The puppet show Dance In Stone primarily opens up the question of how modern human society can so often shape an individual who hates themselves, who is their own greatest rival, their own most despised other. The stones, which in the show function as both puppets and scenography, symbolise the radical other—that which seems uncontrollable or unacceptable, both within ourselves and in society.
Read morePles v kamnu
Lutkovna predstava Ples v kamnu primarno odpira vprašanje, kako lahko sodobna človeška družba tako pogosto oblikuje posameznika, ki sovraži samega sebe, ki je svoj največji tekmec, svoj najbolj osovražen drugi. Kamni, ki v predstavi delujejo kot lutke in kot scenografija, simbolizirajo radikalnega drugega – tisto, kar se zdi neobvladljivo ali nesprejemljivo, tako v nas samih kot v družbi.
Read moreHouse Bolero 2025
The dancers’ bodies—elegant yet volatile—collide, pausing only to dissolve into motion once more. With precision, they step into one another’s space, oscillating between tenderness and rupture. What appears contingent reveals itself as meticulously orchestrated; even their breath syncs, but only fleetingly—a glimpse of unity before the rhythm fractures again.
Read moreHouse Bolero 2025 SI
Telesa plesalcev – elegantna, a nepredvidljiva – trčijo med seboj, se za trenutek ustavijo in se nato znova raztopijo v gibanju. S preciznostjo stopajo v prostor drug drugega, nihajoč med nežnostjo in prelomom. Tisto, kar se zdi naključno, se razkrije kot natančno orkestrirano; celo njihov dih se uskladi, a le za hip – kot bežen trenutek enotnosti, preden se ritem znova razdrobi.
Read moreFlesh
Tatiana Kocmur will once again explore the topic of sexual violence in a provocative environment with her new project Meso⏐Flesh. Unlike The Following Body, which focused on the sheer brutality of trauma, Meso⏐Flesh focuses on the story of rekindling love after the traumatic encounter with sexual violence, presenting the audience with a story of regrowth through pain.
Read moreMeso
Tatiana Kocmur bo s svojim novim projektom Meso⏐Flesh ponovno raziskovala temo spolnega nasilja v provokativnem okolju. Za razliko od projekta The Following Body, ki se je osredotočal na čisto brutalnost travme, se Meso⏐Fleshosredotoča na zgodbo o ponovnem obuditvi ljubezni po travmatičnem srečanju s spolnim nasiljem in občinstvu predstavlja zgodbo o ponovni rasti skozi bolečino.
Read moreThe Following Body ENG
In early 2022, the artist Tatiana Kocmur began to dedicate herself to exploring the historical and current problems of physical and sexual violence, as well as the conceptions and language (or non-language) of pain, through an artistic perspective. The Following Body is the first visual articulation of this research.
Read moreThe Following Body
V začetku leta 2022 se je umetnica Tatiana Kocmur skozi umetniško perspektivo pričela posvečati raziskovanju zgodovinskih in aktualnih problemov telesnega in spolnega nasilja ter koncepcij in jezika (ali pač ne-jezika) o bolečini. The Following Body je prva vizualna artikulacija tega raziskovanja.
Read moreTOK MISLI: Preplet
Projekt Anamarie Klajnšček z Elvisom Homanom, Krystino Peldovo, Boštjanom Simonom in Gabrielo Lotaif predstavlja prvo sodelovanje med perspektivno umetnico Anamario Klajnšček in Pekinpahom. Gibanje sproža zvoke, ki nenehno ustvarjajo nove gibe – vse kot odsev kognitivnih procesov. Preplet štirih individualnih entitet, ki se borijo za pozornost in se potapljajo v vrtinec skupnih misli z enim samim motivom: nadaljevati.
Read moreSTREAM OF THOUGHTS
The project by Anamaria Klajnšček with Elvis Homan, Krystina Peldová, Boštjan Simon & Gabriela Lotaif marks the first collaboration between emerging artist Anamaria Klajnšček and Pekinpah. Movements trigger sounds that constantly drives new motions, all reflecting cognitive processes. An interlace of four individual entities, fighting for attention, diving into a whirl of shared thoughts with a single motive: to keep going on.
Read moreVstajenje 2.0
Hibridni koncert improvizirane glasbe in plesna predstava Bena Novaka, Boštjana Simona in Elvisa Homana, nagrajena kot najboljša predstava 12. Bienala slovenske sodobne plesne umetnosti Gibanica 2023
Read moreRessurection 2.0
A hybrid improvised music concert and dance performance by Beno Novak, Boštjan Simon, and Elvis Homan, awarded as the best performance of the 12th Biennial of Slovenian Contemporary Dance Art Gibanica 2023.
Read moreMovements 9 SI
Najljubši album kot koreografski okvir, kjer ples resonira med pred-védenjem, ritmom, glasbeno silo, poslušanjem in slišanjem, naracijo in abstrakcijo. Mateja Kejžarja je presunil Floating Points z albumom Promises. 9 skladb, 9 stavkov, 9 gibov. Kejžar sledi tej glasbi, ki mu nenehno sledi. Premišljata se. Iz najljubšega albuma nastaja novo plesno delo, nov dinamični teritorij. V glasbi, torej paraleli, ki je natanko tu.
Read moreMovements 9
9 pieces, 9 movements. A ‘favourite album’ as a choreographic frame. Premiered at Španski Borci, Ljubljana, Matej Kejžar’s Movements 9 find its inspiration in Floating Points’ album Promises. From a ‘favourite album’ a new dance piece arises, a new dynamic territory.
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